Realisms within Conundrum
With persistent efforts on constructing personal and collective memories arising from the unprecedented transformations in post-socialist China, Jia Zhangke has produced an ensemble of realist films with an impressive personal and authentic appeal. This paper examines how his films are characterised by a variety of accents, images of authenticity, a quotidian ambience, and a new sense of materiality within the local-global nexus. Within a tripartite model of truth, identity, and performance, Jia’s oeuvres demonstrate the powerful performativity of different modes of realism arising out of a state of conundrum when China undergoes a transition from planned economy into wholesale marketisation and globalisation.
Esther M. K. Cheung, « Realisms within Conundrum », China Perspectives [Online], 2010/1 | 2010, Online since 01 April 2013, connection on 23 March 2017. URL : http://chinaperspectives.revues.org/5048Top of page
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